Back to Basics: Key intellectual property issues for new media and digital content developers

The rapid growth of digital content creation — encompassing everything from YouTube channels and podcasts to streaming services, social media content, and interactive platforms — has brought intellectual property law into everyday focus for a new generation of creators. The fundamental principles remain the same as in traditional media; but the digital environment presents distinctive challenges that those operating in it should understand.

Copyright in digital content

Copyright protection for digital works arises under the same rules as for any other form of content in the UK under the Copyright, Designs and Patents Act 1988 (CDPA). Original literary works (scripts, articles, captions, lyrics), musical works, artistic works (illustrations, photographs, graphic designs), audio-visual works, and sound recordings are all protected, provided they are original and fixed in a tangible form. The vast majority of digital content will attract copyright protection without any need for registration. Originality, in this context, requires that the work results from the author's own intellectual effort; it is not enough to copy or merely collate the work of others.

One category of digital content warranting particular mention is databases. Where a developer creates a database that has required substantial investment in obtaining, verifying, or presenting its contents, they may benefit from the separate database right under the Copyright and Rights in Databases Regulations 1997 (as retained in UK law). This right protects against extraction or reutilisation of substantial parts of the database, independently of whether any copyright subsists in the individual contents.

AI-generated content

The growing use of artificial intelligence tools in content creation raises important, and as yet unresolved, legal questions. English law addresses computer-generated works in the CDPA, which provides that in the case of a computer-generated literary, dramatic, musical or artistic work, the 'author' — and therefore the first copyright owner — shall be taken to be the person by whom the arrangements necessary for the creation of the work are undertaken. Such works attract a copyright term of fifty years from creation.

However, the extent to which this provision is adequate to address works generated substantially by AI, and the question of whether such outputs satisfy the originality requirement at all, are matters of active and developing legal debate. The law in this area is evolving rapidly, and developers making significant use of AI tools in content creation should approach the copyright position of such content with caution and take specialist advice.

Platform terms of service

When a creator uploads content to a digital platform, whether YouTube, TikTok, Instagram, or another, they will be granting that platform a licence to use, host, distribute, and in some cases monetise that content, typically on terms set out in the platform's terms of service. Even if the creator retains copyright in their content, the licence granted to the platform will likely be broad, worldwide, royalty-free, and sub-licensable. Understanding the scope of that licence matters, particularly for creators who are also entering into exclusive or restricted commercial arrangements with brands, distributors, or broadcasters.

Music clearance

Music is one of the most significant and frequently overlooked clearance issues for digital content developers. As addressed in our earlier article on licensing and assignments, the use of pre-existing music in digital content requires both a synchronisation licence (from the music publisher, covering the underlying musical composition) and a master use licence (from the record label or other owner of the sound recording). The existence of automated platform systems does not dispense with the need for formal clearances. Rather, such systems provide a mechanism by which rights holders can monetise or restrict unauthorised uses of their content on those platforms, which is not the same as licensing the rights to use that content.

Image rights and personality

England and Wales does not have a specific statutory 'image rights' regime. Protection of a person's name, likeness, and persona in a commercial context is instead achieved, somewhat imperfectly, and through several overlapping bodies of law, by trade mark law, the law of passing off, the tort of misuse of private information, and data protection law under the UK General Data Protection Regulation (UK GDPR) and the Data Protection Act 2018. Digital content developers who wish to use real individuals' names, images, or personas in their content — particularly for commercial purposes — should ensure they have appropriate consents and releases, and take specialist advice.

Trade marks for digital content brands

For creators building a digital brand, whether that be a content channel, a podcast series, or a content platform, trade mark registration is an important and often overlooked step. The channel name, logo, and associated brand identifiers may be registrable as trade marks, providing stronger protection than copyright alone, and enabling enforcement against lookalike channels or brands that seek to trade on an established reputation. As discussed in our article on trade marks, a brand is a commercially valuable asset and one that should be legally protected from an early stage.

Finally…

Creators, the digital environment is not a legal free-for-all. The same intellectual property principles that govern traditional media apply — and in some respects the digital landscape adds additional complexity. Building your content business on solid legal foundations is always the better path.

DISCLAIMER: Please note that this content is for informational purposes only; it does not constitute, and should not be construed as constituting, legal advice.  Whilst care is taken to ensure the content is accurate at the time it was produced, it may no longer be.  You should seek specific legal advice in respect of particular legal issues or concerns.  No liability or responsibility is accepted in respect of the content, or any actions taken based on the content. 


Continue Reading

Previous
Previous

Back to Basics: Special purpose vehicles in film and television production

Next
Next

Back to Basics: Joint authorship and creative collaboration